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British architect Richard Rogers has built world-renowned architecture, including London’s “Cheesegrater” and a well-known multicultural site, covered with flutes at the Pompidou art Center in Paris.
Rogers died Saturday night at the age of 88, according to the British Press Association, which named his spokesman. One of his sons also confirmed his death in the New York Times but did not give a reason.
An Italian immigrant and Pritzker winner of the 2007 award, Rogers was a leading member of the “elite” engineering school that included Norman Foster and Renzo Piano.
Together they pioneered in modern fashion showcasing machinery and technology, dropping decorative elements to reveal the functionality of the home.
Some of its most famous buildings are the headquarters of Lloyd’s three towers in London – which also reflects its interior design – and the Millennium Dome, also in London.
He completed his engineering studies at Yale in the United States in 1962, where he met Briton Norman Foster.
He returned to England in 1964 and together with his wife founded a construction company, Team 4, known for its innovative technology.
In 1968, Rogers met Italian architect Renzo Piano with whom he shared an interest in innovative and anti-architectural design. That same year, he won a competition to design a new art gallery in Paris, which became the Pompidou Center.
Today it is a symbol of the city, and in front of it are sturdy planks painted with solid colors, with steps and steps outside the building.
It quickly attracted a variety of names, not all of which were appreciated: “The Gasworks”, “The Pompidolium”, “Notre-Dame of the Pipes”.
Rogers completed 400 projects in a project that has a large, well-articulated, well-designed home with lightweight, advanced equipment and the use of state-of-the-art technology.
Its objectives include the European Court of Human Rights in Strasbourg, the Potsdamer Platz offices in Berlin, the airport in Madrid and the 3 World Trade Center in New York.
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