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Hong Kong’s intellectual property rights were seized in Beijing

When Chinese readers in Hong Kong began to question what art should be allowed in the new M + Museum of Culture, it revealed the difference between artistic freedom and governance in the region.

The crisis, which erupted after the city imposed a strict security law last year, was re-tested as the world’s largest protests return to Hong Kong on Friday. More people than ever before are in the area, according to critics.

“M +, Art Basel and many other big names around the world have opened a facility in Hong Kong, but this was not the case before national security law,” he said. No Weiwei, A well-known Chinese artist, whose works were presented at the M + gallery on Kowloon beach which is due to open this year.

“This is the last nail in the coffin,” he said. “They are trying to break the cycle of independence. . .[using]national security law. ”

Organizers of the Art Basel exhibition, taking place at the Hong Kong Convention and Exhibition Center, hope that the exhibition can address the challenges that have plagued the city.

“The government has not asked us to do anything differently – except to do our own demonstrations,” Adeline Ooi, director of Asia at Art Basel, told the Financial Times, saying she was committed to “her dream of making Hong Kong a global security stronghold”.

Adeline Ooi, Asian director of Art Basel, said she was committed to her ‘dream of making Hong Kong a world-class safe haven’

He acknowledged that the return of art in the midst of the epidemic – and that Hong Kong endured unprecedented demonstrations and political turmoil – raised questions from the arts.

“Graphics were involved, shows from overseas [were] misunderstanding what is going on, ”he said, insisting that these concerns do not reflect reality.

However, there is no doubt that the national security law enacted in June last year, which critics say violates the law, sparked violent protests in Hong Kong, with freedom fighters arrested, teachers fired, and journalists repatriated.

Eunice Yung, a lawmaker in Beijing, has made an effort to expand this to the world by asking if a job at M +, including 26 pieces of Ai Weiwei, has violated a security law. This prompted Carrie Lam, the director of the division, to promise that her superiors would be “very careful” to ensure that all protests were legal.

Ai Weiwei said the museum will still showcase its two works, “Still Life” and “Whitewash”, but that it has no concept to show off. “Mental Learning: Tian’anmen”How to point the middle finger at Beijing’s main stadium, where the 1989 genocide took place.

Meanwhile, the art revolution has continued, with the China Ta Kung Pao project newspaper criticizing the Hong Kong Arts Development Council for funding, theaters and theater groups that may also oppose the law.

A visitor to Art Basel looks at the ‘Spanish Gold to Pagan Gold’ sculpture by British-Indian sculptures Anish Kapoor © Vincent Yu / AP

One movie responded by removing a demonstration of a roundabout at The Hong Kong Polytechnic University during the anti-government protests in 2019, when students tried to escape police by closing the walls of the school.

The demonstration comes as technical interest is growing throughout the Greater China region, which includes Hong Kong, despite the epidemic. Craft sales across the region amounted to $ 10bn by 2020.

Greater China last year defeated the US as the largest market in the world, with a market share of 36%, according to 2021 Art Basel and UBS Global Art Market Write.

Christie’s in March announced the most expensive Western-style paintings sold in Asia, while Jean-Michel Basquiat’s “Warrior” sold HK $ 323m ($ 42m) at his Hong Kong-based mall.

“The number of Hong Kong houses is growing. . . Don’t just build homes and studios and accommodations for their artists, ”Ooi said of the increase.

The growth of the M + and the new West Kowloon region is part of the transformation that is being forced by the powerful people of Hong Kong.

Bernard Chan, a consultant for Lam, has expressed frustration that the art revolution is jeopardizing key companies.

“Monitoring and evaluating the artefacts on display in our museums and museums. . . has put us at risk of losing our international reputation, ”he wrote in the South China Morning Post. “If we were to create a financial sector that we have been working on for many years and billions of dollars,” he added.

Zhang Yanzi piece, called ‘Mask Series’, in Art Basel © Jerome Favre / EPA-EFE / Shutterstock

For many exhibitors in Art Basel, this devastation has left a mark. Artist Kong Chun Hei will create visitors to the show to cross the street with a scale made of kitchen scales to be able to “compare”, as part of a state-wide exploration of the state.

Kwok Mang-ho, a 73-year-old artist who played in Tiananmen Square a year after the assassination, said that although he was not heard from, Hong Kong-based artists today need to “exercise self-control”.

“I did a lot of crazy things as a child. . .[Now]I do the right thing at the right time – that’s the way to survive. I try to control myself, as in Art Basel. I walk peacefully, I don’t throw eagles, ”he said.

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