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AR Viewing Art: More About New AR Glasses


Awareness of the location is very important for the overall development. Manufacturers know this and everyone, since the company built it they seem to be cheerful but professionally attractive AR filters on Snapchat long before seniors Apple and Google launched their AR form on phones. Does Snap’s professional port run smoothly up to the mirrors? Yes and no.

The same glasses are a complete technical interpretation of “dresser”. Wide frames stretch my face as I try out a large house in Silicon Valley in late April. I felt and felt my eyebrows shattering lenses like mini squeegees. Where Snap’s original displays were playful, with round frames and beautiful sculptures around the camera lens, bold specs become a target. (My editor thought he looked good in the selfie I sent him; I can’t dress like anything other than Snap’s new words thing.)

XR producer Don Allen Stevenson III wears the latest visuals.

Photo: Phuc Pham

Creator of AR Clay Weishaar.

Photo: Phuc Pham

“Our vision was to create a descriptive, fun, and lightweight tool,” Lauryn Morris, a sales manager at Snap, told me on video. Interesting, true – I still think the best way to describe them – but in 4.7 hours, it’s a lot more than the weight of your average Ray-Ban Wayfarers.

Its weight is one of the best selling AR glasses; they are full and tech. Glasses are stereo types that automatically adjust to brightness, up to 2,000 nights. The images that look at the front of the wearer are made with wavelengths, and there are two RGB cameras made in the world of photography. Add to it four built-in voice controls, two stereo speakers for mid-range audio, and a suitable temple recorder for streaming software. The lenses can go out – which means they will “see” your hands as you move through the air, and define their movements – but none of the oldest AR Lenses for Spectacles still uses this.

The release did not bind these ARs completely from the beginning (although, according to Spiegel, they were made years ago, long before the first Spectacles were made). Built on Qualcomm’s XR1 platform, a dedicated on-chip system with a series of “additional” glass manufacturers. Image uses its Spatial Machine as a unique technical tool, software that integrates together all the information allowed by the glasses to make the software more comprehensive.

But their commercialization, which makes all glasses work in the critical part of AR, is a part of reality. 26.3-degree viewing angles on glasses are less than FOV on other displays, such as Magic Leap and Microsoft HoloLens, and the camera needs to be properly adjusted. Fortunately, there is a voice control system, which works best when working.

The battery life of this device lasts only 30 minutes. A well-designed Snap carrying case will add to itself as a portable charger, but the best part is wearing them for longer than 30 minutes: In the short hour I wore Spectacles, I saw three warnings that the glasses were too hot. Also, there are no physical buttons on the release, which is why you need to connect to the Snap smartphone app to adjust voice levels.

New looks are not for sale here. Snap makes them available to AR manufacturers who apply to be part of its original testing program.

Photo: Natalja Kent


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