Thierry Mugler, and angry The French artist who dressed David Bowie in a 1979 mermaid nude song “Boys Keep Swinging”, was known for his love of magic and fantasy. The shoulders as a blade and the wasps of the silhouette of its kind helped to express the strong dress of the 1980s and the involved designers including Alexander McQueen and Balenciaga director Demna Gvasalia.
Mugler, who has died at the age of 73, sent Hollywood stars and pornographers on his way. Its design was flexible and portable, using materials that were outside the cannon – latex, rubber, vinyl and metal. He formed women into robots, insects, dominatrixes and Botticelli’s Venus.
His performances were mythological. Celebration of 20 years couture extravaganza at the Cirque d’Hiver in Paris in 1995 there was an hour-long exhibition opened by artist Tippi Hedren, the star of Alfred Hitchcock’s. Birds, decorated with black feathers. It featured actress Patty Hearst and ended with a play by singer James Brown. Such exhibitions helped to promote – and were paid for by – the aroma of Mugler’s angels, the extravagant scent, cotton candy that was critical of the light, the unmistakable fragrance of men and women that dominated the market when it was launched in 1992.
The models feature black-inspired black suits as part of the 1997 Spring-Summer High Thierry Mugler fashion show. He made women into robots, insects and dominatrixes © Reuters
Sandrine Groslierwho worked with Mugler for 27 years, described him as “funny, lovable, crazy at times” and “smart jack-of-all-trades, an artist whose measurement was not part of his vocation”.
Manfred Thierry Mugler was born in 1948 in Strasbourg, France. Her father was a doctor and her mother was the most beautiful woman in the city. As a teenager she danced ballet at the Opéra national du Rhin and spent her free hours filming.
He launched his own fashion brand, Café de Paris, in 1973. Its sharp, architectural lines contrasted with the fashions of celebrities in Paris and Milan. “I wanted to do this white, Parisian silhouette: a little black suit, shirt, black dress, siren dress,” he said. WWD in an interview last year. “It was all very neat, well-groomed, very passionate about dancing.”
Mugler was unpopular with fashion critics, and he was often criticized for practicing magic on the female body, even though he insisted that its design give women power. “In the end, people have shown me that I’m right,” Mugler said in a similar interview. “Everything I pointed out, that some papers that are described as pornographic, sexist or racist, are now commonplace.”
Thierry-Maxime Loriot, the director of the exhibition, says Thierry-Maxime Loriot. Museum of Decorative Arts in Paris. “She really created an unchanging fashion, which has never been mentioned in history, which is not unusual.”
Photographed in New York in 1980 at the peak of its popularity. Thierry Mugler’s design contributed to its ten-year interpretation © Allan Tannenbaum / Getty
Mugler was ahead of his time in some ways. He did not use wool or unusual leather. She designed a sleek outerwear paired with silk chiffon to make it soft and seamless with small black leather straps to mimic crocodiles. He said: “There was no way to torture animals for clothing. He painted his own campaign of his own for many years.
At the beginning of his popularity, in the late 1980s, he became known as a high-ranking official on Christian Dior – a title bestowed on Gianfranco Ferré. “Maybe I had a very good personality for the job,” he told the interviewer.
Mugler retired in 2002, at a time when Clarins, a beautiful French band that found its own company in 1997, closed its fashion section. He was disgusted with high fashion and his great passion for money and power but continued to use perfumes and colognes. She designed the Cirque du Soleil costume and dressed Beyoncé as her 2010 wife “I’m… International Tour”.
After selling his name to Clarins, he resumed his travels with Manfred, and developed a great bodybuilding body by plastic surgery, which he underwent. Questions and Magazines. His goal, he said, was to look like Arno Breker sculpture.
Mugler’s oeuvre interest has resurfaced in recent years: made by Kim Kardashian’s latex dress, appeared to be getting wet, at the 2019 Met Gala. David Koma, director of Mugler’s creative label from 2014 to 2017, describes his work as “the best way to transmit art”. “His high-quality designs, unparalleled design and the use of new materials will inspire generations of upcoming designers.”
Source link
