The Stable of Returning Lev’s Words in ‘Our Last Part II’

Before you meet Lev inside The Last of Us Part II, you see his arrow piercing the cheek of a man who is about to strike his sister Lev Yara with a hammer. There is nothing hidden from the origins of Lev. He is a runner and counts, walking among the trees in the dark like a ghost, or perhaps a small animal, to hide and save his sister from the religion he tried to run away from.

Abby – an opponent and a split in the final round of the game – has been strangled and just minutes later to lose her life when she first heard from Lev. Her voice is sharp, fast, very loud, and full of anxiety as she mentions her sister’s name, and lurking on the rocks is easy for a 13-year-old boy, a bow bow, an arrow shot. Abby thinks she is saved.

Lev looks at his sister, then looks at Abby – her head is shaved, her head is fixed, her mouth is shaking – unaware that she has been cut off by Abby, because her people have been fighting for her people for so long, fighting for control of the Seattle post. the world is ruined by disease.

So when Yara tells Lev to cut him off, Lev uses his words to push back. “She’s one of them,” he says. But Yara insists. He must save her. All life, you see, is precious. Lev does as he is told, albeit reluctantly, and after Abby is released, the trio begin their arduous night.

Me: There Are Two Sections In Each Case

Lev is the second character in The Last of Us Part II, perhaps the most divisive, highly discussed game of the last generation since his release last year. Players get into Abby’s shoes at the end of the game as they begin the redemption process. But the story of Lev, a 13-year-old teenager who is forced into exile when local people reject him, is very encouraging.

Lev is fleeing the Seraphim, a legitimate religious group whose members follow established positions. She has neglected her role as the wife of a Seraphim chief, and has shaved her head, a decision to be gay. By revealing himself, he is putting himself and his family at risk.

“One of the things we want to explore is this established religion, and how religion, especially organized religion, can rehabilitate the good and the bad to the spiritual and the fear of strangers and less,” said Neil Druckmann, director and co-director of Naughty Dog, the game’s creator. “Every time you do something like that, you have to make sure it’s not a sign, that it’s the same as the story.”

Lev’s story has many drawbacks. In a world filled with violence and unbearable sorrow, a world in which it is easier to worry about the enemy than to care for others, Lev simply wants to be left alone to pursue his truth peacefully. She is full of hope and confidence – she knows without a doubt who she is and what kind of person she wants to be – and she asks for nothing but to let him go there is. Lev’s story affects many people in the LGBTQ community, because it is a well-known story about survival and survival.

But at the end of the game, Lev is changing from a quiet, secure young man who is trying to find his place in the world to be a game-changer and just a voice of thought. In fact, the second half of Our Last Part II it depends on all of Lev’s words, everything, and every opportunity to find his words.

II: Scars of the Past

Confidence in representation was a key factor in bringing Lev to life. This is a daunting task for players. As a second person, Lev’s growth is driven by AI, based on what the player, like Abby, is doing. Hundreds of lines were written to count for any changes that might occur in the game.