“Sometimes she faints, that’s when Sesuhunan goes down, and she dances,” he says. “This is a very good time because people can connect with the spirit world.”
Learning Cords
Singing on the vocals visits the Larassanti family, as his mother, Emiko, is also a voice artist. He used his expertise to teach Larassanti in writing Kena’s lines – especially in finding the boundary between Kena’s ideas. “Sometimes they’re very strong and sometimes they’re very soft, so finding that strengthening the middle was hard,” says Larassanti.
If Larassanti received his interviews before the filming, he would experiment with his mother – and Emiko to test him on every color. Larassanti explains, “This was very helpful when it came to finding Kena’s words and getting answers from someone like my mother because our parents are always fair to us.”
They also look consistent Grand Theft Auto videos and reading how voice artists can connect. And, from Enter: Bridge of Spirits is an anti-war game, they need to record words like walking, breathing, and beating. Exhibit events such as Avatar: The Last Airbender and Korra’s Tale contributed a little bit to the department, says Larassanti.
“I also saw the drama in the movie theater fall and it was great to hear the different techniques of the fallen actors and how aggressive they can be,” he says. He was amazed that even small things like a fall needed exaggeration.
Larassanti wrote most of his remarks in the summer of 2020 when he was not in school. At UCLA, he excels in World Arts and Cultures, which is the most direct and unique in the school. She is also following the child in ethnomusicology, out of a desire to learn other cultures. His grandfather also graduated with a bachelor’s degree from UCLA, where he also teaches gamelan.
“Studying the art and culture of the world as well as immersing myself in the diversity of races and religions has helped me to develop a passion for their role,” he explains. This prompted him to introduce Kena because a large part of his education involves giving voice to people who have been abused through artistic means. They look at works of art through other complex mirrors now based on what they are represented, and whether they are true, accurate, and complete. I am Enter: Bridge of Spirits, feel its representation in Southeast Asia in the atmosphere and environment. These people are people of all races, and there are good relationships that are explored among them.
What Kena Represents
Larassanti sees his role in Enter as a necessity because Americans in Asia often do not have many access to video compared with their white counterparts, whether in movies, TV shows, or in television shows. Using Kena in the right way, Ember Labs has given Larassanti the opportunity to share his knowledge and experiences through this person.
“She was kind and helpful … so she also helped me find Kena’s words and what she wanted to do,” says Larassanti of Ember Lab co-founders Mike and Josh Grier. Without knowing Sesuhunan or how to contact the elders in Bali, Enter: Bridge of Spirits he would have had a completely different idea.
“It is the culture and heritage of the actors that can add a person to a story when given the opportunity,” he says. When Larassanti doesn’t know what to do next, he might want to play in another movie and maybe take part in a movie. “I think there are a lot of different opportunities,” he says. “It’s fun, but I think this has really taught me a lot as a vocalist.”
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