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‘Love, Death & Robots’ Growing Up

Netflix recently released Season 2 of Love, Death & Robots, an anthology exhibition that transforms short stories into animated animations. Author of science fiction Zach Chapman assumes that the new season is a major change in Part 1, with only a few sections perceiving itself as stupid or underdeveloped.

“I think these stories are very similar,” says Chapman in Section 469 of Geek design in Galaxy Podcast. “I can’t say there’s a part I didn’t like this season, where there were a lot of others that I didn’t like in Part 1.”

Geek design in Galaxy recipient David Barr Kirtley he was thrilled to see the show go so deep, after the first season that it seemed to focus especially on young boys. “The movie started out as an attempt to start over Heavy Iron, so it had this kind of decoration, ”he says. “And I’m not particularly concerned about it, but I want the show to have a fairy tale of ornaments that have been going on in the textbooks for the last few decades.”

Unfortunately the show still sounds like a very young club, with each episode in Section 2 being adapted from a story by a male author. Fictional Writer Erin Lindsey I hope it changes the third season. “There’s no excuse for word differences,” he says. “There are a lot of scientific fiction – including old science fiction – written by women and black people who are supposed to be part of the mix here.”

But all Love, Death & Robots remains extremely rare for sci-fi fans. A comedian Tom oversees expects future seasons to transform stories from talented writers such as Robert Sheckley. “Please keep up the good work,” Gerencer said. “I really like this. I’m so crazy that there’s something like this, that there is. ”

Listen to the full interview with Zach Chapman, Erin Lindsey, and Tom Gerencer in Section 469 of Geek design in Galaxy (above). And see some of the highlights from the discussion below.

Erin Lindsey on diversity:

“For me – and I think about many people—[the problem with Season 1] they were not boobs on the se, or sex on the se, or violence on the se. It was about sexual violence and sexual misconduct and the look on young men and everything else, and there is a big difference between them. And kudos to them — I hope it doesn’t just happen by chance — to take this and show with the second season that you don’t have to do this. But on the flipside, to have eight episodes all written by dudes – and if I’m not mistaken, all white dudes – it seems to me that it just goes on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on and on I do not know. Maybe I’m talking too much, but I don’t think you can make a few mistakes without realizing it. ”

Erin Lindsey pa “Heart Hutch”:

“I think he did a great job. I was a little offended by the design of the robot for two reasons. First of all, I have not seen how this design can help from the design, and second, it looks like the answer – when he says that the cause of the movement is movement, so he uses his flashlight to make the movement – what he is actually doing with a laser pointer, when you are distracted by your cat, wall . Since the robot is so wonderfully made, I expect that [episode] to make a silly joke at the end, where they are like, ‘Wow, I’m playing with my robot cat.’ And it took me out of my mind. ”

Tom Gerencer pa “Snow in the Desert”:

“In the opening scene [Snow] he goes to a visitor of this type of carrier to buy ‘stuff,’ and you feel like it’s some kind of drug or it’s something they need, and then it becomes a strawberry, and I think it was really cool. I love the whole thing Amisala Max vibe to that, I love that person. Something about a person – and giving him a chance to recover, is not difficult for him & mdsh; but something about a person who loses his hand and just shakes it, that’s fine for me. There was a big moment where there was a shooting star that went by. Very good times this time. ”

David Barr Kirtley pa “Pop Pop”:

“I feel like this is fair Blade Runner and children instead of imitation, and it has the same ornaments as Blade Runner, which made me feel, ‘I’ve seen it before Blade Runner. I don’t know if I should watch this. ‘It is also a well-established phenomenon of dystopy, such as Fahrenheit 451, where you have a dystopia agent who realizes that what he has been doing is wrong and joins in the denial, so this was obvious to me. … Then I read the article, and it worked. For me this is one where I think it would have been 20 or 25 minutes, it would have been great, but it just ran really fast. ”

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