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Until The resurrection of the dead, and Matrix the list did not directly endorse LGBTQ members at all. The change was recorded as trans in the original Matrix screenplay but the character was changed to the finished film, because the studio officials were confused. This did not prevent the innumerable count of the work, which intensified after the directors Lana and Lilly Wachowski came out as trans women.
Even Lilly Wachowski encouragement these figures in the 2020 edition It’s easy: “The Matrix it was about a desire for change, but it all happened randomly. ” The Resurrection of the Matrix is the first film on the series that has been made since the Wachowski era came out. Queer and trans stories are not interchangeable, but some recent ones are provided the opportunity to accept the readings. Lana Wachowski (correct without Lilly, who has departed from science fiction based on real-life stories) and the workers took it.
In the latest episode of the saga, Neo is alive (amazing) and locked into a new Matrix, playing the role of Thomas Anderson. As you work on a new and very demanding project called Binary (very secretive…), his boss Smith encourages him to create a sequel to his blockbuster video game. The Matrix, which is similar to the video trilogy we have seen and Neo can’t remember ever being there.
This initial meta allows The resurrection of the dead to describe directly the symbolic interpretation of The Matrix. At a meeting where the Anderson development team is discussing The Matrix the game was imminent, the programmer trembled that the original story was about “trans politics,” the first direct word for LGBTQ on the list. This exchange is tongue-in-cheek, but it does not completely deny this reading. List they do apparently has a lot of features that these manufacturers bring-“bullet time! “WTF!” – i events are simply a mockery of those who claim The Matrix it’s about one thing.
More about this kind of stuff The resurrection of the dead they follow the same lines as the original, repeating the past experiences of the Neo and the Trinitarian resurrected to deny their “dead names” and add more evidence of “binaries” which were read without a doubt as a commentary on gender. Although no letters have been reported as unusual, The resurrection of the dead makes LGBTQ headcanons easier than previous movies did, giving Niobe and Freya as well Bugs and Lexi enough on-screen love screens to read them as couples.
Which can be very interesting The Resurrection of the Matrix‘queer subtext, however, relates to its evils. Queer-code terrorists has a long and difficult history in Hollywood, but even or because of this history, it is often a source of interest to artists and audiences. That’s why Lana Wachowski decided to make two visual dramas, Jonathan Groff and Neil Patrick Harris, in the roles of. The resurrection of the dead‘the first two enemies, Agent Smith and thim Analyst, I’m sure he knew exactly what he was doing.
Agent Smith is the richest man in terms of small words, since a small part was already in Hugo Weaving’s interpretation of his character in the original trilogy. In queer reading of The Matrix, Smith is illustrated evangelists who are anti-gay, women who force themselves to be men, and who advocate “proselytizing”. When Smith tells Morpheus in the first film, “I hate this place, the zoo, this prison, this reality, whatever you want to call it,” his defilement it comes clear and concise.
If Weaving’s Smith is closed, then Groff’s Smith is out. Not like trans (Lana said earlier that The Matrix not an individual’s image of breaking the law), but as gay. The queer-coding on rebooted Smith is so heavy that it almost goes beyond coding; it is as obvious as it could be without being violent or rational to justify the kind of screening that takes place with LGBTQ + in blockbuster films around the world. Although Groff did not mention Smith’s sting as gay, he did describe the entire film as “more queer, ” and it is easy to read this bleeding in his practice.
In hindsight, it is clear that Groff’s Smith is more relaxed and comfortable on his skin than Weaving’s Smith. When Smith asks for Neo for about an hour and 22 minutes The resurrection of the dead, he is clearly free to express his affection for his well-known enemy. “There is a lot of speculation about the two,” Berg, a Neo-based expert who works on the team, speaks rudely, perhaps referring to the Smith / Neo sailors. Smith tells Neo, “You did not appreciate our relationship,” and says the The Examiner used their “bond” and made it a “chain.” Smith asks Neo for his opinion on his “blue-eyed eyes,” and takes a moment to create flirting faces. It’s a total Shipper-bait.
As they are about to fight, Smith says that “Anderson and Smith” are one of the “binaries that make up the culture of things.” Considering the gender of The resurrection of the dead‘against binogies, free to make jokes about “men and women” here. With the abundance of BDSM images in Matrix series, it is no longer difficult to see the sedomasochistic attractions in Smith’s strong desire to fight Neo and t.he Analyst, the last one who said he had “his rope around my neck.” Later in the film, where Smith finally saves Neo and the Trinity from the Analyst, says that when Neo came out of the Matrix and woke him up, “I was free to be myself.” (Also, Smith and Morpheus technically have one child as a form of the new Morpheus program of Yahya Abdul-Mateen II.)
With the exception of Smith’s comments on sadomasochistic and Harris’ throwing, the Analyst is not as well known as Smith. He was also listed as one of the “alt right” Matrix fans who have taken the original image more than anything else, just keep talking about “other things” and look at others as “sheep.” While most viewers know that Harris is a homosexual, they also know that they are very popular people, from Barney Stinson to his caricature. Harold & Kumar movies, they have become very heterosexual.
However, even though he played a very different person on the page, Harris says he played like “my race. ” Given the Analyst false relationship with truth and hyper-stylized original culture Matrix trilogy, it was easy for her to rely on similar styles, but Lana Wachowski’s style changed in a natural way, which left Harris confused as to how his work should be “true”. The reviewer is obviously not Neil Patrick Harris “true”, yet anyone who knows that the player has brought his knowledge to the public.he Analyst. Combined with Smith’s queer-coding, it creates a phenomenon in which two of the most important collaborators in the system are often regarded as the parable of the connection and anti-LGBTQ oppression get rid of gay vibes.
In 1999, public pride made man an enemy of order. In 2021, this is not the case. Rights such as marriage and protection from job discrimination have been written into law, and have changed so much that some people (especially whites, especially men) can have power within the system. Because our governments and institutions are more friendly than ever, they do not become more friendly. “Rainbow capitalism” often does well on LGBTQ needs, and “pink printing” they use nominal advances in strange matters to disrupt harmful practices in some places.
One of the main themes of The Resurrection of the Matrix and that the systems of power are appropriate and adopt the powers that were previously contrary to those systems. This is exactly how the Neo story of rebellion against the Matrix was transformed into a video game license within the Matrix itself. Conversion is reduced to a corporate thing that most listeners do not understand the message they want. As Bugs puts it, “He took your story, something that was very important to people like me, and turned it into something small.” When tAnalyst uses bullet time, The MatrixThe well-known image, as a tool to replace the Neo and the Trinity instead, well illustrates how the evolutionary beauty is distorted against its original meaning.
Well-known evils a The resurrection of the dead It is another example of the integration of the system, where they provide two very different solutions. The Analyst embraces his power within this system, while Smith manages to redeem himself by leaving. There has always been a heated debate over whether LGBTQ goals should focus on showing the world that orphans can be “just like everyone else” or that it is better to reject traditional politics and dignity. Lana Wachowski can challenge anyone to say anything The Resurrection of the Matrix is “almost,” but it is fair to say that the other part is an anti-assimilationist message: not gay as happy, but queer as happy as you.
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