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This story is part of a leading to Rome from FT Globetrotter
Beauty always has a secret; another story to tell. So it has been for ages with Rome and movie theaters. On the high-tech movies, no city has ever looked so beautiful – or so similar to gritty neorealism. Another Roman in the film was a high court; another, all solid on the edge. (And the interaction between them was very small.) Meanwhile, a third Rome appeared in a hidden window: the audible Cinecittà Studios south of the city – making countless, successful Oscar 51 films among them.
La Dolce Vita (1960)
Where to watch: available for viewing Amazon prime
Anita Ekberg at Trevi Fountain in Fellini’s ‘La Dolce Vita’ © Album / Alamy
The helicopter carries the image of Christ plaster as a mad blessing on the scorching sun and high places. It resumes Federico Fellini’s song in his museum. We can fill this entire series with Fellini: panoramic Rome, of the heart Cabiria Night. But beyond those movies, something says Sweet life He slept at the reception in the same city, amazed by the mirror overlooking the picture of beauty and depravity. The Roman actor saw Fellini spit – before the film attracted interest from the city box office. It made Rome the epitome of cinema, a real place that was re-transformed as a set in Cinecittà. (Even at Anita Ekberg’s famous push-ups at Trevi Fountain, they were all real.)
Riding a bicycle (1948)
Where to view: Amazon prime, iTunes and (in the US) The Criterion Channel
Hollywood cameo: a photo of Rita Hayworth on a wall in Rome in ‘Aba on a bike’ © Everett Collection / Alamy
If most of Sweet life made in plain language, referring to Vittorio De Sica’s Becoming a Bicycle it was the roads that took place in it. Some were far from ideal – the film debuted in the mountainous region of Val Melaina. But in Rome where war is also seen as a deceptive and dangerous place, the unfortunate hero Antonio rides a bicycle to work. According to del Corso the theft that gives the film its title. (Hollywood also has a magical joke – a picture of Rita Hayworth is shown when the thief hit.)
The Talented Mr Ripley (1999)
Where to view: Netflix, Amazon prime and iTunes
Catch me if you can: Matt Damon in ‘The Talented Mr Ripley’ © Everett Collection / Alamy
Rome through the eyes of others – the first author Patricia Highsmith then director Anthony Minghella – forms the best part of a definite external story. The city is the only place on the Italian side of the story, but the back of Rome is appropriate at this crucial moment: Matt Damon’s Ripley looks like the man who killed him, living a life of luxury that belongs to someone else.
Rome, Open City (1945)
Where to view: Amazon prime, iTunes by (US) The Criterion Channel
Neorealist play ‘Rome, City Open’ showcases life in Italian capital under Nazi rule © Ronald Grant Archive
He was photographed in January 1945, a classic neorealist Rome, Open City I looked back at work – but never came back. Only six months had passed since the Nazis fled the capital; The war in Europe was raging. The shock of the truth in each demonstration and shooting the city was only intensified by ordinary Romans gathered by director Roberto Rossellini as his team. He did nothing sensible: Cinecittà was used as a refugee camp. If young script writer Federico Fellini gave the film a melodrama, it also changed the work of truth in films forever.
Eclipse (1962)
Where to watch: Amazon Prime, iTunes and (US) The Criterion Channel
Alain Delon and Monica Vitti in Antonyion ‘L’Eclisse’ © Collection Christophel / Alamy
Michelangelo Antonioni made a financial star in the city in a humorous love story Kadamsana, which is in the midst of the post-war economic crisis Il Boom. If every city aspires to be Rome, how many stockbrokers aspire to be the iconic Piero of Alain Delon? Except, of course, money does not make him happy, get caught up in a trance and get fired. More than any other movie here, Antonion invested heavily in modern Roman architecture, leading to strange white lines. Division of EUR.
Great Beauty (2013)
Where to view: Netflix, Amazon prime, iTunes and YouTube
MC Hammock: Toni Servillo as socialite Jep in ‘The Great Beauty’ © Photo 12 / Pathé Films / Alamy
Stranger, be careful. In the first minutes of Paolo Sorrentino‘s satire is a celebration Great Beauty, a Roman sculptor on Mount Janiculum. Then he falls and dies – defeated by the wonders before him. But more beauty is not a problem for Jep, a good-looking middle-aged man. As part of a carnal city, he exists to revolve around the nightlife and the luxurious, luxurious and satisfying life, Rome is a perpetual spectacle. (And anything that looks small if it doesn’t exist.)
Rome Holiday (1953)
Where to view: Amazon prime, iTunes and YouTube
Audrey Hepburn and Gregory Peck in ‘Roman Holidays’ © Paramount Pictures / Getty Images
In some cases the well-known Cinecittà and 1950s all over Rome – Hollywood on the Tiber – did not feel as relevant as it used to Roman Holiday. With the Italian team in hand, the American star power plummeted as Gregory Peck and the new Audrey Hepburn crashed into Vespa before heading out for a visit. Mouth of Truth and Colosseum. But in the midst of the glorious flight, the two eternal aspects of Rome endured. When Hepburn played the prince, the inscription was written under a name known to Dalton Trumbo, listed as communist in the US.
Dear Diary (1993)
Where to view: Blu-ray/DVD by (US) Amazon prime
Nanni Moretti explores Rome at Vespa in ‘Dear Diary’ © TCD / Prod.DB / Alamy
Another time at Vespa, a successful film by director Nanni Moretti arrived in Rome with films. He finds her walking on the city’s deserted streets in August, giving the city direction while focusing on the media, including the media. Flashdance. There is also a trip to Lake Ostia on the outskirts of the city to pay homage to the Roman film giant, Pier Paolo Pasolini. For guests hoping to run to Moretti, they have a video New Sacher near Porta Portese, and outdoor shows that take place in the summer.
New York Terrorists (2002)
Where to view: Amazon prime, iTunes and YouTube
While in Rome. . . pretending to live in Manhattan in the 19th century: ‘Gangs of New York’ © TCD / Prod.DB / Alamy
Not hypocrisy or typo, but a reflection of how a city as unique as Rome can be any one it wants. Martin Scorsese spent his whole life worshiping Rossellini and Fellini – and when he came to make his missing Manhattan epic, he crossed the Atlantic to do it. Five Point Points and Paradise Square were reborn in giant giants at Cinecittà Studios.
Which movies bring you to Rome? Tell us in the comments
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