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There is an obvious inside Swan Lake where the hiding protagonist, the rainbow shooter, Prince Siegfried, has lost his daughter, Odette, in a delightful forest. Suddenly, she is found to be facing several identical ballerina swans. Frustrated and confused, Siegfried runs aimlessly up and down the doppelgänger looking for his girlfriend. They are deceived by the number of swans and the amount of movement they have shared.
By the time Swan Lake introduced in the late 19th century, the chaos of the great protagonist among several ballerinas was already trope. Romantic ballet dances have times like this, but they can also be found in some modern books. American director Busby Berkeley became famous for films such as 42nd Street which had many dancers running the same movements. Over the past few decades, Rockettes and any other groups of boys have brought similar styles to the stage. And throughout history, militias, demonstrations, and public demonstrations have brought this way to the streets. Groups of dancers so that the section moves as a whole with method and method.
Through the interdisciplinary approach of ballet, youth groups, and the military we can think of “Spot on It, ”The latest dance video maker of robotic machines The power of Boston. The photo, which commemorates the company’s findings with Hyundai Motor Company, features quadrupedal “Spot” robots dancing to “IONIQ: I’m on It,” a track by Hyundai’s international ambassador and mega-boyband BTS, promoting the electric car list. The video, several Spot robots and amazing synchronicity in a dystopious moment is 20 seconds.
The video is opened with five robots in a row, one behind it, so that only the space is clearly visible. Music begins: new years supported by synth beatings and BTS prayers as the lyrics “IONIQ.” The heads of the robots wake up and bloom with music, adorned themselves with a moving star, then a helix, then a beautiful flower that breathes with a pleasing line. Their robotic power allows simple hands (lifting head, 90 degree rotation, Spot “mouth” opening) to create a visual impression among all robots. “Spot’s on It,” in Busby Berkeley, makes it difficult to distinguish between robots, and sometimes it is not clear which “head” of the robot is using the robot.
The writing project, by Monica Thomas, uses the robots to navigate exactly as with each other. For Rockettes, BTS, and in many ballets, expertise is the job of your ability to move anonymously in public. Spot robots, however, work, its shape, and similar shape. Human players can play the same way, but robots integrate them perfectly. It’s a strange Siegfried valley in the middle of ballet.
Depending on the technology, robots can be adapted to reflect the increasing technical expertise of Boston Dynamics, which is part of the Spot Software Development Kit (SDK) called “Choreography.” In it, the robot user can select choreo-robotic movements such as “bourree” – described in the SDK as “circular tapes like ballet dancing” – and adjust its speed, yawning, and length. In all dance classes, a single movement, such as a “bourree,” can be adjusted, modified, displayed, stretched or narrowed, fast or slow, and increased or decreased in volume. Thomas ’writings use this ability to solve all kinds of difficulties.
The complexity and ingenuity of this “Spot’s on It” is an important departure from previous Boston Dynamics dances. First and foremost, it is clear that the video had a production set behind it: “Spot’s on It” accompanied by friends sales blog that, for the first time, explains how Boston Dynamics uses scripts in its advertising and architecture systems. Also, in particular, for the first time for Thomas to be publicly identified as the dance choreographer for Boston Dynamics. His work in videos such as “Best Places“I”Do you love me?“He was invisible, so Boston Dynamics ‘views on Thomas’ role in the film have recently changed his stance. Scholar Jessica Rajko has previously commented on the politics of illegal work and the false notions that do not praise Thomas, in contrast to robotic researchers such as Catie Cuan and Amy Laviers, who are clearly directing dance offerings to their work. “Spot’s on It” shows the depth of Boston Dynamics, making it difficult to deal with choreographics.
Although the Boston Dynamics dance robots here have been thrown into the showroom, I am always fascinated by the company’s performance. In the hands of artists, these machines are capable of producing sound through a wide range of applications. Boston Dynamics is a company that dances deeply, and, in a blog post, uses choreography as “the most experimental method for living instruments.” All the dancing is just fun and effective.
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