If you like objects that glow with all kinds of rainbows, glow in the dark, and seem to contradict any meaning of the rock, you should visit the Hall of Gems and Minerals at the American Museum of Natural History. in New York City. I recently saw the site, and as someone who grew up visiting the old halls, I can assure you that it is a great translation worthy of an impressive collection of museums.
The homes of Allison and Roberto Mignone of Gems and Minerals open on June 12, at the end of a four-year renovation at Harry Frank Guggenheim Hall of Minerals by JP Morgan Memorial Hall of Gems, a museum for some 200,000 gemstones and minerals. Unlike the old halls, which were dark, sparse, and lacking in easy-to-read science, the new halls have long barriers and long lines that allow you to enter beautiful long-distance models at the same time. Notification posters they sound good to children without being too easy for adults.
New exhibition halls of old exhibits have recently been discovered, such as large amethyst rocks (12 feet by 9 feet long), which receive visitors into the air. A temporary visual display, Beautiful Creatures, has a collection of 150-year-old jewelry (based on the 150-year-old history of the Museum) that is followed by natural creations, such as the star created by Salvador Dalí. In all, the houses are 11,000 feet long and contain 5,000 species from about 100 countries.
But the great thing is that the scientific principles of the rocks and minerals are well connected with the place and history. Stories of these things — from “Subway Garnet,” a large salt geometry found during excavations near Manhattan in Herald Square, “Stone Stone,” consisting of 7,200 pounds of blue azurite and green malachite which was featured in the 1893 Chicago Columbian Exposition-Combining clear visual images with crystal charts, in a way that makes the physics of stone design easy and fun. Viewers can navigate through these images using the design elements (igneous, metamorphic, pegmatitic, hydrothermal, or weathering), their location, or their time stories in the hands of the people as a guide.
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Curator George Harlow said that not too much had changed about the science since the old halls were in place, but some ideas had developed further, and the new halls do a better job of telling the story of our understanding of elements and their importance in mineralogy and crystallography.
“Forty-plus years ago, when the current galleries were designed, scientists had not yet begun to explore the concept of mineral evolution,” said Harlow in a Museum journalists. “Today, we are working in a different way, in which most of the salinity of our planet is directly linked to evolution.
The large stone wall made of various metals puts the evolution, reminding you that diamonds are much older than gold, and much older than any other gemstone. A table of visual elements shows the absence and quantity of different objects by examining the size of each object to indicate the amount that can be found on Earth. Obviously, if you want to skip all the reading and just throw yourself into the weird, fun of the models, then this is the right choice, too. Grape agate from Sulawesi, Indonesia resembles the eggs of lavender fish. Velvet malachite almost proves to the viewer that it is soft — even the neighboring group of its softness is characterized by a deceptive group of small stones, like needles. A large glob of calcite and aragonite from Bisbee, Arizona looks like an Antarctic snowflake that remains frozen. Elsewhere, salt looks like swollen green Cheetos, lots of small pies, small cheeses, and smooth mint. In the halls, the well-known physics seem to have been suspended, because the clearest salt looks soft and indestructible at the same time.
Not all exhibits have a history, which is unfortunate that most of the past has a history of donations. But the text is still a much bigger change than the previous cards, which made it difficult to draw the connection between the models and the geologic methods that made them.
And the work is not over. Instead of being congested, new halls will be opened directly (via “Crystalline Pass,” as the museum says) enter the new The Richard Gilder Center for Science, Education and Innovation 218,000-foot-square, which is an amazing design that will stay shopping mall, classrooms, theater, and the famous butterfly vivarium, all should be opened by the end of 2022.
It’s hard to steal in museums like AMNH, so there are amazing things like life size, blue fabric (which currently plays with vaccines). But these new halls keep the periodic program alive, inspiring anyone who thinks geology is boring.
More: Physicists Want to Search for Symbols of Ancient Darkness in Ancient Mines
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