In March 2020, The actors at the Ubisoft studio in Toronto had just wrapped up the “primo times” of The Great Cry 6Pictures of Breaking BadThe villain Giancarlo Esposito is CocoYoung dreamer Anthony Gonzalez when the Covid-19 became real, very fast. The border between the US and Canada was about to close, and the group was determined to carry the supplies they needed before taking the American players safely and quickly back home.
The first-person shooter was based on the A-list, Esposito and Gonzalez, starring Anton and Diego Castillo, a ruthless president and their son Yara, “a hot paradise of winter.” Esposito and Gonzalez left Canada shortly before the closure, but Ubisoft was still facing problems. Game release was scheduled in less than a year, and all of the opening spaces – perhaps the most important series in all games – were yet to be shot. The game had already been five years in the making and there was a lot that was at stake for him to realize.
A few Ubisoft employees were allowed to return to the office the following Monday to pick up what they had just painted, and it was painful to see the studio, including the 12,000-square-foot, empty stadium. Navid Khavari said: “It looked like a crime scene or a zombie apocalypse.” The Great Cry 6Facilitator. Everyone had left their coffee in their town in a hurry to get out. Khavari and his team knew they had to explain the drawings ASAP, but the big question was how they could finish all the games during the plague.
No Free Pass
Video footage requires precision as well as a lot of time and patience. Other than that, the length of the recording and the dialogue that takes place in a single game can be the same as the five or six seasons of a TV show. It also requires the cooperation of large groups working closely together. So how do you interpret this during the plague?
Initially, the group came up with an idea that relied on 15 to 20 imagery skills, when things like facial expressions are just living. But she did not like the plan. “We just knew this wouldn’t work,” says Grant Harvey, director of cinematics, known as the director of the set. “This is a three-game A-release coming out in 2021, and it should look like that. People do not give us a license. That’s why we started looking for how to shoot. ”
By June, the closure of the upgrade has been lifted until the production team is able to allow 10 people to stay, despite the many health and safety systems. But when you are dealing with an epidemic of 30 to 50 epidemics at a time including camera controllers, directors, motion pictures and actors, something was to give. The production team chose the best option and started shooting with four players at once. But more and more demonstrations – from the smuggling of canoes to the bloody street demonstrations – require more than four actors. In addition, some of the actors had lived in the United States or in other Canadian cities and could not travel. So how can the team get rid of it all?
Making Remote Work True
Ubisoft Toronto’s main recording studio is usually packed with cameras and engineers, but during the epidemic, only one player and one cameraperson can work at the same time.
Photo: UbisoftEverything that would have been possible from home now had to be. Those who weren’t missing on the set are watching from a distance through 10 different video streams. Staff supervisor Tony Lomonaco sees it as a change that has helped members of the group, to the point that he hopes that even after the epidemic, people will continue to work at home, including insurance (QA) engineers, who can suddenly take part long ago. “It was great because you could be with people who don’t usually deal with the risks,” he says.
Most of the movies can be made at home, as long as the actors are well-equipped, trained, and supported at the moment, says Eduardo Vaisman. In modern video games, there are all lines of story-driven and AI-driven dialogues that emerge in the game. In the case of Far cry, say you have a soldier or an NPC (not playing), they say “revival!” or “rush to hide!” – The characters are easy to draw because they do not match the image or video on the face, and all actors are required to participate. Once the company set up a virtualization tool via a closed internet, it became a good solution.
Even in remote audio, the change in direction has not changed. When filming, the actors — working from Canada or the US — sit in on a video conference immediately with the directors, and receive comments like, “Now you’re on fire. Aaaaah! Now you’re on fire! AAAAAAH!”
