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The Resurrection of the Matrix, led by Lana Wachowski, in particular, refrains from taking action to deal with the deep-seated love and death story. Screenwriter Rafael Jordan At first he was disappointed with the film but loved it after seeing it again and again.
“I think it was second to Lana that people loved the movie right away,” Jordan says in Section 496 of Geek’s Guide to the Galaxy podcast. “I don’t think he cared. And then a clever genius at it. I think it will be greatly appreciated over time, but it has recently made me make more films. “
Over the past 20 years, Wachowski has seen many fans and critics protest the third Matrix film, saw a picture of Matrix’s “red pills” linked to political freedom, and faced constant pressure to reproduce some of the Matrix. Geek’s Guide to the Galaxy recipient David Barr Kirtley they see a clear similarity between the conflict and The resurrection of the dead ‘ “swarm mode,” in which heroes are attacked by waves of senseless enemies.
He said: “In the first video, it is a symbol of an oppressive system that prevents you from sitting down with a government official, and the film contains a large number of people on their cell phones. “Most of all, the anxiety about the people who control our lives has shifted from the government to the anti-social groups on the internet.”
The resurrection of the dead features the return of Keanu Reeves and Carrie-Ann Moss, now 50 years old. Risk Writer Theresa DeLucci I enjoyed seeing mature actors directing a sci-fi action film. “I think [Reeves] did an excellent job of showing years of tiredness, anxiety, weakness, and failure, ”he says. “I liked it when they told me, ‘Are you leaving now?’ And he is like, ‘Take it away.’ Right, you’re fifty years old — something. Watch that, you don’t have to fly anymore. “
Professor of science fiction Lisa Yaszek says that although they look forward to old age and loss, The resurrection of the dead they can still have hope.
“It feels like a modern person cyberpunk The issue, not because it has shifted from the rhetoric of the internet to the wrong idea, but a lot of hope, ”he says. And I think this is the most science fiction message. ”
Listen to the full interview with Rafael Jordan, Theresa DeLucci, and Lisa Yaszek in Section 496 of Geek’s Guide to the Galaxy (above). And check out some of the highlights below.
David Barr Kirtley pa The Matrix:
For people who have never been The Matrix came out, I feel like he had a cultural background that is hard to overstate. I remember people saying, “This is for our age Star Wars, ”And that is exactly what I felt. Everyone had seen it. In the past there have been some reality films, such as Johnny Mnemonic or The Lawnmower Man that really only those hardcore science fiction fans would go to see, but it is The Matrix everyone saw it, and everyone knew all the facts — like the idea of developing martial arts in your brain for a moment — these wonderful scientific ideas that everyone now knew.
Theresa DeLucci pa Matrix transitions:
I can’t remember anything about it … I remember being in a theater. Everyone was so happy. It was the first IMAX movie in New York City, the biggest show ever. It was like a nightclub. People were wearing all their Matrix weapons — bright glasses and bright sticks. My friend was overjoyed. And then you come to the end of the movie, when the Trinity dies, and his death is so full of evil that people begin to tremble. Neo is like, “You can’t die,” and he says, “Yes I can,” and someone in the theater shouted, “Do it!” I remember that more than anything else in the film.
Lisa Yaszek pa The Resurrection of the Matrix:
I walked in unexpectedly, and I enjoyed it. Was it as strange as the first? No, but how? That is the fourth on the list. But I still think it respects the list. I thought the story was clear. From day one, Mr. Wachowski insisted that the films were about love, and I thought, “Boy, Lana is very critical this time around.” I think it’s fun, and it makes me want to go back and see the first three through this different framework. Don’t think, “Is it a metaphor for capitalism? Is it a metaphor for trans-ness? Is it a metaphor for our society that is full of media?” It may be just a fantasy about love.
Rafael Jordan in photos:
In the first film, Neo was released from the Matrix in the 32nd minute. This marks the end of Act 1 and the beginning of Act 2 – as I said, the original record is airless. In the meantime, her father woke up in the middle of the night in about 52 minutes, then was still asleep. That’s when Act 2 begins, when it goes to Io with all those things. Audiences do not really know the rules for showing this, but they start watching the movie when things are not going well, and it is not surprising that the movie was 20 minutes longer than the others, because it took longer. to get there. The only reason I wish it was six hours, four or five hours [TV show].
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