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If anyone asked me the secret of my long and happy marriage, the biggest of them would be the Bafta viewers that my husband gets every year. As a member of the voting team, he is sent a number of videos every December to be nominated for the film awards.
Who cares about the short days, cold nights and winter temperatures when you have a radio show to eat with?
Many worry about the future of the video: how the plague has killed. Netflix and the continuous stream of live video streaming have seen a dramatic change, as more and more viewing boxes have replaced our interest in video. A blockbuster game that was supposed to be a hit, like Ridley Scott The Last Duel, endured the humiliating reproach. Although Bond says he is struggling to break free, and the only film making a big profit in the winter is one with connected networks.
Speaking to a Hollywood journalist, filmmaker Peter Chernin led the way for a well-known brand. “Business is doing things fast,” he said. “People are becoming more cautious and less privileged.” Scott, now 84, who had two films released last year (Gucci House as well The Last Duel), has blamed thousands of people “who were raised on these mobile phones” for fleeing his recent job.
I think he is wrong. But this is not about the excitement of the movie. Or if someone has a better experience by running to the local courtyard and sitting in an expensive cage. It’s about whether a movie still has a purpose as a medium, and what it can offer if a good radio video seems to be doing very well. With the exception of the Marvel Franchise, a behemoth so large that it does not compare to anything, the movies that are now beginning to attract attention are the ones that stand in opposition to Scott’s intriguing gangsters.
The most exciting movies this season are not the pacy stories with well-known theaters, but the dream poems that are built around it. Author Paul Thomas Anderson Licorice Pizza, for example, tells the story of a young man in the 1970s in California, mixed with a fascinating song, featuring unknown adults. Often nothing happens; it’s just a good experience to fall into the tropics that Anderson watches. It has done amazingly well again, and has been well received by a young audience: at the end of its opening week, according to Variety, 72 percent of the audience was between the ages of 18 and 34.
Jane Campion The Power of the Dog Similarly, the main star is the island of Otago in New Zealand where the director photographed it. The plot is slow and often unrecognizable, but the greatest joy in me, however, was that for 125 minutes I was immersed in the world of Campion.
So did Paolo Sorrentino, who The Hand of God and the well-known history that unites the Eighties Naples when the World Cup takes place in Mexico. The universe is so rich that Sorrentino created it, I can not care that there was not much plot. I was very careful about that Belfast it was tedious (and the silly notion that Protestants can dance when they wake up), but no doubt Kenneth Branagh’s film falls into the same category of circular drama that is made up of well-chosen ideas.
All of these directors drew small, well-known stories as the basis for films that portrayed, hopefully, the new era of auteur. Away from Marvel violence or radio video studios, filmmakers will be more visible and self-proclaimed when they come up with new ideas for their work.
Which does not mean that movies are becoming more self-centered. The best solution is to break your fears or problems into a series of smaller steps. As French editor-in-chief Nicolas Saada observed this week: “Television contributes to our instability and anxiety — it robs us of energy and time. Cinema still allows us to hear things, to see them without having to explain or tell powerful stories. ”
Efe Cakarel, cinephile and co-founder of the movie Mubi, is optimistic about the film’s future: “Most people who watch the movie are looking for comfort: countries that can always come back. filmmakers sound so powerful – in their hands we find something new about the world, and maybe even ourselves. ”
Some are very uncertain about the future. Pawel Pawlikowski, director general of the organization, said: Cold War and Ida, who received the Academy Award in 2015. “Personally, I avoid playing TV because it is addictive and does not provide any information,” he continues. “Watching a good movie is like dreaming. However, as a filmmaker who grew up on film, I’m worried – I wouldn’t want it to go like an opera. “
Why are you struggling to get to a movie where there are eight episodes that you can enjoy for three nights? All the well-known restaurants that like to control reward seasons can be found on Netflix, Apple TV or elsewhere.
Even the traditional biopic has lost its light. Where actors can cling to a plastic nose and sing in an Oscar, the proliferation of long notes or postcards now makes viewers richer and more illiterate. Also I can’t rush to watch the famous sword and shoe games when I look again Game of Thrones.
But I still crave the time to watch a movie, now more than ever. And whether I’m in a chair or on a sofa, I still want the same emotion: to see the world, as if for 90 minutes, through other eyes.
Email Jo pa jo.ellison@ft.com
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